Meet Lucy E.M. Black
Lucy E.M. Black is a Canada-based writer and an educator. The stories of the young people whom she has worked with have shaped her professional life as well at that of her storytelling. Lucy studied creative writing at the undergraduate level and later earned her master’s degree in nineteenth-century British Fiction. She has also been a student at the Sage Hill School of Writing and the Humber College School of Writing. Lucy received the “Writer of Distinction” award from Humber College for her manuscript on the plight of Irish immigrants in 1870s Ontario.
Learn more about Lucy’s books or contact her today!
Want to learn more about Lucy E.M. Black? Enjoy her Q&A from the publication Under the Gum Tree.
I started writing in grade one. I wrote my first novel in a Hilroy scribbler–it was called The Great Mumbo and was a detective story. It was very thrilling and my teacher asked me to read it to the class. They loved it and it completely hooked me on having an audience.
The thing I love most about writing is the ability to engage other people in story while at the same time provoking them gently, I hope, with something meaningful.
All of my writing stems from my life experiences and the people I have encountered.
My writing schedule fluctuates according to the background of living. I try to be disciplined about a writing regime but find that life often intrudes and my active writing time disappears. This isn’t necessarily a bad thing though, good stories need time to percolate, I think.
The hardest part of writing for me is the editing. I tend to over-write and produce a great deal of material. The boiling down and cutting takes a great deal of hard work and perspective.
I can usually write the first draft of a story in a couple of weeks. Sometimes it takes me years to edit and polish it. Occasionally, a story will come out very nearly right, but that is the exception. Mostly, I fine-tune and chop and change them for months.
I’m always working on two or three things at a time. Typically I have a new story on the go at the same time that I am re-working and re-writing and editing a couple of others.
I received hundreds of rejections before my first story was published. I saved them in a file folder for years thinking what fun it would be to do something creative with them when I finally had something accepted. By the time I had something accepted, the file was so fat and I was so tired of moving it around, that I cheerfully threw the whole thing out.
My husband and I danced around the house and grinned like idiots when I received my first acceptance. It was a stellar night.
I always carry a pad and pen with me and will often scribble down story ideas or names of streets. I’m a shameless eavesdropper and will also copy down bits of dialogue when in restaurants or cafes. I do the majority of my writing on a laptop but all of my editing is done with a pen on a hard copy.
I am an educator and have a responsible position that I love. It allows me to work with young people and all manner of interesting individuals. I think, though, that I’m almost always writing–in that I try to be a keen observer of life, and people and things–and try to take everything in so I can use it in my work, however imperfectly.
I have several favorite authors. I love William Trevor and Alice Munroe for their short stories. I love Dickens for his wicked characterizations. I love Austen and Charlotte Bronte for their romantic figures and keen observations. And I love Margaret Laurence for the world she created for us and the honesty of her characters. But I also love Donna Morrissey for the haunting and evocative stories she tells and the beauty and clarity of life that she shares.
Some of my favorite books include Jane Eyre, Great Expectations, The Stone Angel, Sylvanus Now, Three Day Road.
The best piece of advice I ever received about writing came from Donna Morrissey. She told me to “get to the heart of the story”. I thought that was brilliant and try hard to do that when I’m editing. It’s actually harder to do then it sounds!